PIANO
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998 sheet music found Reflections of the Cross - 10 Easter Advanced Piano Solos
Reflections of the Cross - 10 Easter Advanced Piano Solos # Piano solo # ADVANCED # Sacred music # George Bennard,
Ralph E # Amanda
Tero # Reflections of the Cross - 10 # Amanda
Tero # SheetMusicPlus
Composed by George Bennard,
Ralph E. Hudson, Lowell Mason,
Hans Leo Hassler, Elizabeth C.
Clephane, Charles H. Gabriel,
Phillip P. Bliss, Daniel B.
To...(+)
Composed by George Bennard,
Ralph E. Hudson, Lowell Mason,
Hans Leo Hassler, Elizabeth C.
Clephane, Charles H. Gabriel,
Phillip P. Bliss, Daniel B.
Towner, John Stockman, William
H. Doane. Arranged by Amanda
Tero. Christian, Gospel,
Sacred, General Worship,
Easter. Sheet Music Single. 58
pages. Published by Amanda
Tero Ten advanced piano arrangements in slightly different styles to interest most pianists.
The Old Rugged Cross
Arranged for advanced pianists with traditional old church
feel.
7 pages. Keys of G-flat, A, and B.
At The Cross
This arrangement begins very open and free, enticing the
listener to reflect on the words of the old hymns. As the arrangement
continues, the music progresses in complexity, ending with a hint of Southern
Gospel flair.
5 pages. Keys of E-flat and C.
When I Survey The Wondrous Cross
A slow-paced, thought-provoking arrangement of “When I
Survey” with a notable left hand portion.
6 pages. Keys of C, B-flat, and D-flat.
O Sacred Head, Now Wounded
Arranged with an epic flavor for advanced pianists, full of
arpeggios and octaves.
5 pages. Keys of E minor and A minor.
Beneath The Cross Of Jesus
An old hymn reimagined with lush, moving chords for advanced
pianists.
6 pages. Keys of C, B-flat, and G.
I Stand Amazed In The Presence
Advanced piano hymn solo with a light jazz/easy listening
flavor.
4 pages. Key of E-flat.
Hallelujah! What A Savior (Man Of Sorrows, What A Name)
The old favorite is combined with a unique and original
melody in this advanced solo hymn arrangement.
4 pages. Key of A-flat.
At Calvary
A Southern Gospel flavor in an advanced piano setting.
6 pages. Keys of A and F-sharp major.
Down At The Cross (Glory To His Name)
A reflective arrangement for advanced solo church pianists.
5 pages. Keys of D and B-flat.
Jesus Keep Me Near The Cross (In The Cross)
A lilting arrangement of “In the Cross” for advanced
pianists with a small hint of jazz.
5 pages. Keys of D, B-flat, and E-flat. Romantic Classics ~ a Collection of 20 Piano Solos
Romantic Classics ~ a Collection of 20 Piano Solos # Piano solo # INTERMEDIATE # Wedding/Ballad # Various # Romantic Classics ~ a Collecti # Sharon
Wilson # SheetMusicPlus
Piano Solo - Intermediate -
Composed by Various. Arranged
by Sharon Wilson. Romantic
Period, Classical Period,
Christian, Valentine's Day,
Wedding. Sheet ...(+)
Piano Solo - Intermediate -
Composed by Various. Arranged
by Sharon Wilson. Romantic
Period, Classical Period,
Christian, Valentine's Day,
Wedding. Sheet Music Single.
73 pages. Published by Sharon
Wilson This collection of intermediate piano solos includes 20 arrangements of some of the most romantic songs from ages past. These beautiful, lyrical songs are perfect for weddings, easy listening repertoire, personal enjoyment, and even a few for church worship services.
These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players (comes in handy when asked to perform on short notice). Another feature of these arrangements is they are consistent at the intermediate to advanced-intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures, timings, and fingerings. Complimentary interludes and introductions were added when appropriate and melodies modified to create a more contemporary sound.
Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples. The audio sample plays ?Starlight Serenade? by Alexander Ilyinsky.
Titles in this collection include:
Aura Lea ~ by George Poulton
Butterfly Serenade ~ Impromptu (Op. 90, No. 3) by Franz Schubert
Cherish the Moments ~ Rondo from Pathétique by Ludwig van Beethoven
Dance with Me ~ Valse Lente from ?Coppelia? by Leo Delibes
Dream with Me ~ Andante from Piano Concerto No. 21 by Wolfgang Amadeus Mozart
Evening Breezes ~ Intermezzo from Carmen Suite No. 1 by Georges Bizet
A Journey of Love ~ Sicilienne by Gabriel Fauré
The Joys of Love ~ Plaisir d?Amour by Jean-Paul Martini
Jupiter from ?The Planets? ~ by GustavHolst
Love?s Greeting ~ Salut d?Amour by Edward Elgar
Melody of Love ~ by Hans Engelmann
Moonlight Sonata ~ Adagio from Sonata Op. 27, No. 2 by Ludwig van Beethoven
Nightingale Serenade ~ Serenata by Enrico Toselli
O Lord Most Holy ~ Panis Angelicus by Cesar Auguste Franck
Orange Blossoms in Spring ~ Intermezzo from Cavalleria Rusticana by Pietro Mascagni
A Romanian Love Song ~ Rumänisches Liebesleben by Iosif Ivanovici
Spring ~ Allegretto from Songs without Words by Felix Mendelssohn
Starlight Serenade ~ Berceuse Op. 13, No. 7 by Alexander Ilyinsky
Waves of the Danube ~ Donauwellen by Iosif Ivanovici
Yearning for Love ~ Adagio from Pathétique by Ludwig van Beethoven Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge # Piano solo # INTERMEDIATE/ADVANCED # Classical # Claude
Debussy/Robert Orledg # Claude Debussy: Prléude à L' # Musik Fabrik
Music Publishing # SheetMusicPlus
Piano Solo - Advanced
Intermediate -
Composed by Claude
Debussy/Robert Orledge.
Romantic Period,
Impressionistic, Repertoire,
Recital. Score. 6 page...(+)
Piano Solo - Advanced
Intermediate -
Composed by Claude
Debussy/Robert Orledge.
Romantic Period,
Impressionistic, Repertoire,
Recital. Score. 6 pages.
Published by Musik Fabrik
Music Publishing Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge L'amore di Kebo Iwa (Balinese Gamelan in Piano)
L'amore di Kebo Iwa (Balinese Gamelan in Piano) # Piano solo # INTERMEDIATE # Gabrielle Felicita Chen # L'amore di Kebo Iwa # Gabrielle Felicita Chen # SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 page...(+)
Piano Solo - Level 3 - SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.